It
landed this morning; as classy a cover as could be, at once invoking worthy
tomes of the past, but managing also to suggest, with one very clever design
twist, something rather sassier.
There
was perhaps no better way to celebrate the advent of World Books Day than with
the arrival of Mary Beard’s new work, Confronting the Classics.
Is
there anything quite like the pleasure of a good book – not least the feeling
of a new one in your hands?
No,
no: I don’t meaning ones displayed on a backlit screen, but the real,
old-fashioned paper ones; the ones you want for company as you curl up on the
sofa with the cat and a cup of camomile on a grey and grizzly day.
Or
the ones you open on the bus and find yourself unexpectedly chuckling out loud
at.
The
ones that have a smell, a sound – go on: rustle some pages and listen; that
have age and texture and gloss or the bruised look of something thumbed many,
many times.
The
big ones and the small ones; the glossy art ones, full of black and white
photography, and the antique ones with yellowed edges and a slightly musty
smell and the mystical sense of passing through hands down the years.
The
graphic novels and the ones full of dense type; the politics and the economics,
the sci-fi and the crime fiction: what’s a nice dame like you doing in a place
like this?
Musical
scores in uniform yellow, like the ones we poured over in school; classic books
hated when young but gradually appreciated with the passage of time – Hardy and
Brönte and Golding and, goodness, even the poems of Keats.
Books
about art and history and film, about gardening and cookery, about language and
about science, about cats and philosophy – not together, you understand,
although Akif Pirinçci’s marvellous Felidae, a novel of cats and murder (and
not a little philosophical musing), comes close.
Books
and books and yet more books. I am addicted. They are piled high throughout the
flat – only the bathroom doesn’t have a shelf weighed down with them.
And
then there are the books of childhood that have such a very special place in
ourt memories.
Oh
my – that’s an whole different ball game.
My
mother guarded the reading matter of me and my sister fiercely. It was also a
different time, with a clumsy gap between what children read and what adults
read – little market for teens.
It’s
extraordinary now to think that I was allowed to read books – fiction and
non-fiction – about war (Biggles was a favourite) but, when I returned home
from the library in my teens one day with a copy of Airport, having seen the
film, I was sent straight back to return it, as it was not considered
‘suitable’.
It
was some years later that I realised that this meant that S.E.X. was involved.
Oh
yes – violence is fine for young people: sex is not.
Indeed,
my teen reading was generally pretty dire: Agatha Christie was acceptable, as
(as previously intimated) was anything from a biography of Douglas Bader to
anything by Alistair MacLean.
Violence
okay – sex not.
But
when I think of children’s books I also hold very fond memories too.
Enid
Blyton gave me many, many a happy hour. And here’s an easy segue from the
school stories and the Secret Seven and the Famous Five – because perhaps one
of the Blyton books that lives most in my memory (it was a church prize,
incidentally) was Shadow the Sheepdog.
Because
it took place in a setting that I genuinely could recognise.
Since we moved away from Westmoreland when I was just three, my memories of the place
were formed later, when we stayed with an honorary uncle and aunt on their fell
farm at the fabulously named Weasdale Beck.
And
to be honest, I think those times were the happiest of my childhood.
So
even though the Eden Valley is bleak – and oh, it is – I certainly feel that it
is a very deep part of who I am.
And
when my mother gave me Marjorie Lloyd’s Fell Farm series of books, it was
something that I genuinely recognised. Indeed, I find myself, right now, on the
cusp of buying copies again – it’s not in print, so you can get them cheaply.
So
too, I hold Swallows and Amazons in great fondness. It wasn’t that
far away, after all. And there is that sense of recognising the landscape.
There
was much other childhood literature, but these things these things … well,
perhaps it’s a slight exaggeration to say that they haunt me, but they are a
part of me, and thus one of the very few constants of my life.
I
must admit that the idea of dressing up as literary characters at school for
World Book Day makes me squirm; as I do when I read of schools going all
American and having a ‘prom’.
To
someone who grew up from the 1960s to the early 1980s, it is utterly alien.
And
recalling my own dreadful gaucheness and inability to relate to most of my
peers, I shiver at such ideas.
It’s
precisely the sort of thing that would have been mortifying.
For
god’s sake, it was bad enough in the sixth form when we wore civvies – my
mother sent this timid mouse to school in cast-offs from elderly maiden aunts;
Edinburgh Wool Mill skirts and blouses with big ties at the neck à la Angela
Lansbury in Murder, She Wrote.
What
literary figure would she have decided she could find the appropriate clothing
for – Miss Marple?
I
shudder to think.
Books
are liberating and magnificent. And, when I think about it, they’ve formed an
enormously important part of my life over its half century.
I’m
sure everyone reading this will have similar stories and sentiments.
So
tonight, treasure your own connection with books – and switch off the telly and
pick a book up instead. They are still utterly magical!
And it doesn't matter whether you read Proust or Agatha Christie – just read!
Remember too – love your libraries.
Remember too – love your libraries.
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