After that, Sam – a classical pianist – is to give a recital that he insists will be his last, as he is determined to care for his partner, who has been diagnosed with early onset dementia.
But Tusker – a writer himself – has other plans which, as they head north, he hasn’t shared.
Written and directed by Harry Macqueen, this is an incredibly sensitive exploration of a couple facing not simply mortality, but the incremental nature of the mortality that dementia inflicts on people.
It is never mawkishly sentimental, but is intensely moving – not least in being an unflinching look at a relationship of length, with the joking and bickering as well as the tenderness.
The cinematography from Dick Pope is beautiful. I was born just to the east of the Lake District: my family moved to Bolton when I was three, but we visited regularly for a substantial part of my childhood and youth, staying with family friends who ran a corner shop in Tebay or those who had a fell farm not far away.
The latter stays in particular were some of the happiest days of that part of my life. Though I haven’t been back for many years, it all felt instantly familiar, and the lingering shots of the nature of the area are simply gorgeous.
While there’s a section of the film where there is a – very good – supporting cast, this is essentially a two-hander. And Colin Firth and Stanley Tucci as Sam and Tusker respectively are both on absolutely superb form. Enormous subtlety and nuance from the pair.
The film originally premiered at the 68th San Sebastián International Film Festival in 2020, and then the following year in US and UK cinemas, Supernova is now streaming on Netflix.
It’s a difficult subject, but Macqueen and team have made a very, very fine film – and ultimately, an uplifting and grown-up one about love. Make sure you have tissues close by.
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