Showing posts with label transphobia. Show all posts
Showing posts with label transphobia. Show all posts

Wednesday, 1 January 2025

Inspiring call for LGBTQI people to be authentic

Admittedly I started it in December, but New Year’s Day found me with the mental space to read 230 of its 287 pages, so filing this as the first read of the year really does count.

Life as a Unicorn – Amrou Al-Khadi’s memoir, first published in 2019, is the story of a non-binary, gay, British-Iraqi writer, actor, drag artist and filmmaker, and their struggles to find a way to live as their authentic self.

 

While their parents are not fundamentalist Muslims – in the sense that (much, if not all) Western media likes to portray Muslims – they still inherited a belief from quite early in their childhood that their queerness was going to send them to a fiery hell.


And what signs they gave off in terms of that queerness, their parents policed heavily.

 

Indeed, there are elements of this where Amrou’s story is like reading that of any dissenter in a dictatorial society, where they are being observed and reported at every turn.

 

How they eventually come through this is inspirational and deeply moving.

 

As a white, essentially middle-class English person, I clearly cannot appreciate the racist elements of Amrou’s experience, but there’s a huge amount from the homophobic aspects of their story that I felt that I could relate to (I was blubbing at the end) and also to the religious aspects, given my background.

 

For those who don’t already now, my father was an ordained, evangelical Methodist clergyman, who was homophobic, Islamophobic, racist, antisemitic, misogynistic … and just about every other kind of phobia that suited a white, English exceptionalist, cis, straight, male Christian (even though he’d come from an essentially Cornish peasant background).

 

I have thought for some time that, if I had ever come out to my parents, I would have been exposed to some form of conversion therapy. Indeed, I arguably was – being taken, in my early teens, to four evangelical ‘crusade’ meetings within a couple of weeks, with the explicit intention of being ‘converted’ – ‘born again’. And of course, it happened. The emotional blackmail of it was too much to eventually resist.

 

Life as a Unicorn is ultimately a wonderfully uplifting read about how to live as your own, authentic self. The section about marine life is staggeringly informative – I learned so much!

 

Al-Khadi is also absolutely spot on about the patriarchy, throughout the world and across cultures. It’s not just misogynistic, but also homophobic and transphobic. It’s no coincidence that we see the far right in Britain and the US, from Badenoch to Trump, engaging in ‘culture wars’ and taking particular aim at trans people and drag culture.

Sunday, 5 November 2023

A much-needed examination of gender identity

Given how much trans people have been weaponised for the sake of the culture wars, it feels like an extraordinarily brave thing for award-winning Basque director Estibaliz Urresola Solaguren to make her feature film debut with a story about a young trans girl exploring her gender identity.

Brave – and necessary. Solaguren – who also wrote the script for 20,000 Species of Bees – was inspired by the suicide of a 16-year-old trans boy Ekai Lersundi in 2018.

Here, we find a family that lives in the French Basque Country. The parents are on the cusp of splitting up and of the children (teenage Nerea, 10-year-old Eneko and eight-year-old Aitor) the boys seem to constantly fight, while Aitor – also known as the less gender specific Cocó – is clearly unhappy and constantly acting up.

Their mother Ane takes the children with her for an extended summer holiday in the Basque Country south of the Pyrenees, where they will stay with her mother, Lita. Gorka, their father, stays at home.

Ane has allowed Cocó to wear their hair long and use blue nail polish, and they are quietly pleased when the local old ladies congratulate Lita on having a lovely granddaughter, but the conservatively religious grandmother nags her daughter to go to a hairdresser and get Cocó a “boy cut”.

 

Wary of local children, Cocó increasingly spends their days with Aunt Lourdes – a local ‘wise’ women, who lives alone, keeps bees and uses them to cure neighbours of a variety of ailments. There, they start to open up, often describing themselves (unprompted) as behaving like a girl.

 

They question what went “wrong” with them in their mother’s womb and why they are “like this”.

 

But Lita is becoming more strident in her approach, trotting out tired clichés about Ane having over-indulged the child, and the great patriarchal one that the problem is that Cocó is surrounded by women (which doesn’t seem to have changed Eneko’s gender identity).

 

Ane is confused about the issue – but also hits back at her mother, who had done nothing to tackle a dirty little family secret about her late husband, a sculptor.

 

Cocó prays to become Lucía – and even asks her aunt if she can’t die and come back as a girl.

 

Essentially an all-female ensemble piece – it won an award for the best female ensemble cast at the Guadalajara International Film Festival – it’s moving, yet never mawkish or sentimental, and is tackled with great sensitivity and humanity.

 

To help ensure accuracy, Naizen, a regional association for the families of transgender children, worked with Solaguren and provided guidance for Sofía Otero, who plays Lucía.

 

Otero carries the film on her eight-year-old shoulders – a simply outstanding performance that saw her become the youngest ever winner of the Silver Bear for best leading performance at the 73rd Berlin International Film Festival in February, just one of many awards that the piece has already garnered. In September, it was put forward for nomination for next year’s Academy Awards.

 

Patricia López Arnaiz as Ane and Ane Gabarain as Lourdes also turn in superb performances, while Gina Ferrer García’s cinematography is top notch.

 

If you can, do see it. It’s also on Curzon Home Cinema now. It is a film that will stay with you a very long time.


As Solaguren put it in an interview: "The girl does not transform. Throughout the film, she acquires the tools to express who she is. What is transformed is the family."


Saturday, 1 July 2023

A superb history of trans and non-binary lives

Before We Were Trans by Kit Heyam is a remarkable achievement. First published last year and now out in paperback, it is an attempt to map out a history of trans and non-binary people – not just within the white West, but taking in cultures around the world.

Heyam works scrupulously to avoid imposing contemporary, white Western values and ideas about gender onto people from different cultures and living in very different societies (and times), reminding readers that to do so is dangerous in terms of a meaningful understanding of history, but that it also risks colonising – or re-colonising – those lives.

 

It is full of revelatory information. For instance, I had no idea that in Swahili, “all pronouns are gender neutral”. Or that “The Daughters of Bilitis, an American lesbian activist group founded in 1955, described butch lesbians as ‘the worst publicity we can get’.”

 

Records from WWI internment camps on the Isle of Man provide a wealth of information from the German civilians imprisoned there for years with no ‘biological females’.

 

The author explains in detail how, in some cultures, from First Nation to South Asian ones, gender non-conformity is often intrinsically linked to spirituality. No matter how difficult some in the West might find it to understand this, we should not pretend it is not the reality for people who experience gender in such a way.

 

Heyam is also determined that we should not simply assume that in every – and there are plenty – historic example of gender non-conformity, we should assume that the person involved was trans or non-binary.

 

They point out that there could have been motives for being gender non-confirmative that could have involved coercion, the need to make a living and more. But as they point out, it’s also a major likelihood that at least *some* were what we would now describe as trans or non-binary.  

 

Initially, I found it a bit annoying to be reminded of these things quite frequently, but I came to understand the value of such reminders. I read history books on a reasonably regular basis, but have never read one like this, and ultimately it benefits from it. It has helped me think quite seriously about number of things I have not thought through before.

 

But Heyem also hits the proverbial nail right on the head in an understanding of why Western, non-binary people might be easily tempted to appropriate the experiences of non-Western, non-gender conforming people, given the assaults on trans and non-binary people currently being experienced – not least in the US and UK.

 

We need to construct a more nuanced dialogue in order not to appropriate, while still celebrating the range of non-gender conforming lives and understanding that in terms of our own relationship to the wider LGBT+ community.   

 

Heyam Is to be applauded for taking a complex subject and approaching it in such a way as to make it informative, challenging and, as they suggest at the end, ‘kind’, to those in the past as well as those living now and, indeed, those in the future.

 

A very different and valuable history – and one to be heartily recommended.

Wednesday, 13 August 2014

Tabloids prove – yet again – that they won't learn

Here’s a thing: what will be the tipping point that means that the UK press faces regulation – however much it doesn’t want it?

The mainstream media has, thus far, managed to squirm out of any form of independent regulation, following the Leveson Inquiry.

And that bit about “independent” is important: no matter what some papers claimed, there was no plan for what the press publish to be subject to the machinations of politicians.

To remind ourselves: Leveson followed revelations about widespread phone-hacking – which, it is increasingly clear, did not just happen at the Rupert Murdoch-owned News of the World, although there was an industrial amount of hacking there. The Mirror group is now in the spotlight too.

In an interesting little side note, it seems that four members of staff on the Mail on Sunday were told by the police in 2006 that their phones had been hacked by the NotW, but bosses at the Mail group decided to keep it secret – and they didn’t bother to mention it in evidence to Leveson either.

Mail on Sunday editor at the time, Peter Wright, has been a member of the Press Complaints Commission (PCC) since 2008, taking over the position previously held by Mail editor in chief, Paul Dacre, from 1999-2008.

During that time, the PCC issued two reports on hacking, in essence backing up the version of events from News International that it hadn’t happened often and that it was all just the work of a “rogue reporter”.


Somewhat unsurprisingly, though, Wright and Dacre have subsequently succumbed to amnesia over the entire business of the hacking of their members of staff’s phones.

Mind you, amnesia, ignorance or straightforward incompetence seem to be the defence de rigueur of senior newspaper folk when it comes to such matters.

After all, her admitted total lack of knowledge of anything that went on in Rebekah Brooks’s newsrooms was accepted as a defence by the court in the recent hacking trial, while News International godfather, Murdoch himself, has been known to be remarkably vague when being questioned over the affair.

It says something for the confidence many of these people have in their power over government that the revelations have not noticeably improved the behavior of the tabloid media in particular.

Not that it’s the tabloids alone: Murdoch’s Times – which used to be the paper of record – has plummeted so far since he bought it that it’s current idea of political ‘debate’ is to call the leader of the opposition “weird”.

Such an approach, by nobody’s definition, can be remotely positive for the public discourse.

But for the sake of this article, let’s stick with the tabloids.

It’s not so long ago that several papers revealed themselves entirely happy to splash pictures on their front pages of the moment that Mick Jagger was told that his partner had taken her own life.

Public interest, anyone?

In the last few days, the odious Richard Littlejohn,whose bilious ignorance was just the most well-known example of the ‘mostering’of Lucy Meadows, who also took her own life, has again used his column in the Daily Mail to illustrate his ignorance of and attitude toward trans issues, with comments about Kellie Maloney – formerly known as boxing promoter Frank – looking as though she is in “drag”.

But a glance at this morning’s tabloids reveals a general approach that blithely ignores basic humanity, together with any idea of journalistic ethics (yes, they do exist).

The subject is the death of Hollywood star Robin Williams, who died by suicide.

The front pages alone seem to be competing to see who can publish the most details.

In the rush for sales, editors have chosen to deliberately ignore the guidelines on reporting suicide issued by the Samaritans.

These call, among other things, for great care to be exercised on details about how a person ended their life, precisely because readers who are themselves in a vulnerable situation can be influenced to copy a sensationally-reported suicide.

But sensation boost sales and sales matter more than human beings when it comes to the tabloids.

Point six of the National Union of Journalists’ Code of Conduct says that a journalist “does nothing to intrude into anybody’s private life, grief or distress unless justified by overriding consideration of the public interest”.

That’s the biggie, isn’t it: what is ‘the public interest’?

What was in the public interest that justified seeing Jagger’s reaction to the death of a loved one?

What was in the public interest that justifies the additional pain being inflicted on Williams’s family, and the potential danger to other vulnerable people caused by the nature of the reporting?

Here’s a clue: there is none.

The apologists can whine all they like that the public interest is what the public is interested in, but this is nonsense.

Let’s look at an example of ‘the public interest’.

Some years ago, during John Major’s time as Prime Minister, with a government set on promoting ‘family values’, a junior minister called Tim Yeo stood up at the Conservative Party annual conference and made a speech lambasting single mothers as the biggest problem of the day.

A couple of months later, it was revealed (in the News of the World) that he had been having an affair himself, and was the father of a child to a single woman. He resigned.

Here was a member of a government that was promoting one thing to the public, and condemning those who didn’t behave as it wanted, who included members who were themselves behaving in the same way.


And yes, the people that buy tabloids – particularly when they buy promises of lurid, sensationalist copy inside – are complicit in this pimping of other people’s private lives.

And as long as there is no regulation of the industry, it is a situation that seems likely to continue.

So, as I asked at the top of this: what will be the tipping point? What will it take before tabloids are forced to clean up their act?

After all, the hacking of a murdered schoolgirl’s phone quite clearly wasn’t enough.





Thursday, 30 January 2014

21st-century hysteria, click bait and the absence of common sense


It’s a sorry state of affairs when something that should be blindingly obvious that it requires no comment demands digital column inches to point this out.

It appears that veteran Channel 4 news reader Jon Snow dared to admit that he had thought about colleagues in terms of S.E.X.

This provoked an outcry – not just on Twitter, but also in the Spectator and, inevitably, in the pages of that bastion of hypocrisy, the Daily Mail.

Such was the response to this admission of being, err, a human being, that Felicity Morse penned a short piece on the topic for the Independent, pointing out that this is entirely normal for a normal human being – we are sexual creatures, after all – and adding that not only is he hardly the only one who has entertained such thoughts, but that … wait for it … women have too.

Of course this also comes at the same time that a certain organ (fnar, fnar) was berating the performance of singer Beyoncé at the Grammy Awards.

Oh My God! She wore something that wasn’t as modest as a burka! She gyrated! Alongside her husband! Our boys will be turned into rapists and our girls into sluts!

I bet you won’t be able to guess which media outlet was leading the charge on that one, will you?

Of course you will.

It was indeed our old friend the Mail that shrilled: “Is this really what little girls should aspire to, Beyoncé? Parents attack ‘vile’ display at Grammys”.

Apparently they found one parent was quoted anonymously, plus a couple of the professional ‘won’t-somebody-think-of-the-children’ brigade, Pippa Smith of SaferMedia and Vivienne Pattison of Mediawatch-UK.

Let’s clarify this: the Mail is the same rag that publishes lashings of pictures of women in as little clothing as possible – mostly to point out that they have put a bit of weight on/lost a pound or two/got cellulite.

The pages of the dead tree edition are bad enough: the online version sees this obsession squared.


It’s so depressing to have to point out that Morse’s piece is common sense.

It’s equally depressing to point out that Ally Fog’s latest Guardian article, in which he called on people to stop pretending all teenage boys are becoming violent because of porn, is another example of a situation of there being an apparent need to state the bleedin’ obvious.

Fog uses the article to press the case for serious reform of the sex education situation in the UK, where some schools are still using materials related to the homophobic Section 28, and where others are censoring what they tell the children on the basis of religious beliefs.

It’s difficult to understand who would consider it progress that such articles need writing – primarily as a response to plenty of idiocy in a media that is increasingly given to straightforward sensationalisation in order to sell copies or as click bait, and in the case of Fog, he acts as a bit of a counterbalance to the extremist voices of the likes of Julie Bindel and her misandrist, transphobic friends.

How on earth do they get away with it?

Is the British public at large really so puritanical (when not consuming and being scandalised by vast amounts of titillating gossip) that it actually considers it abnormal or surprising that their fellow humans might look at other people and consider matters sexual?

Or that they think that Beyoncé’s dancing will turn their daughters onto a path of sexual promiscuity?

Or that all teenage boys are internet-porn addicted abusers?

But then, there are apparently parents around who do not want their children to have an open and proper sex education.

Part of the problem, though, is that spouting the sort of bile and myth that in these pieces was being rebutted, is irresponsible, and risks giving a sense of justification to bigotry and intolerance and sheer stupidity.

Only yesterday, I read of a court case where two men escaped prison after beating a trans woman in her home, with their lawyer telling the jury that they were having a laugh.

The likes of the Mail, when it lets Richard Littlejohn spout transphobic bile and the Guardian, when it lets Julie Burchill et al do the same, do nothing to stop a culture of seeing trans women (because it usually is trans women) as odd and, therefore fair game.

And that leaves us with a pretty sad state of affairs: both that such articles need writing and that at least some people do believe all these sort of myths and more.