Showing posts with label ravens. Show all posts
Showing posts with label ravens. Show all posts

Sunday, 10 November 2019

All badged up

The overarching message from today’s exercise in re-badging my leather jacket, now returned from the cleaners, seems to have been that you can make statements without appearing to do so.

I started badging it some years ago, seeing it as a very personal form of ‘rock chic’ and absolutely refusing to add any obviously ‘political’ badges.

Over the last few years, it’s attracted plenty of comment and enquiry. Perhaps counter-intuitively, I think it says more about me and what I believe in than if I’d dressed the jacket in rather more obvious pins.

Loosely, there are themes. And as Thomas Mann once said: “Everything is politics”.

So here’s a guide to my newly badged jacket.

From top left (approximately) – travel is good. We start with a flag pin representing Lübeck. This was my destination as a 50th birthday ‘thang’: I’d never been out of the UK on my own before this and it was a (long overdue) rite of passage to prove I could travel to ‘Abroadland’ all on my own.

I chose Lübeck because of Mann and Günter Grass and because I’d spent around 10 years teaching myself a bit of German so felt a certain confidence in the idea that I might be able to communicate at a basic level.

It was a fabulous and seminal trip.

Füssen? More German stuff – Bavaria; the Alps; simply gorgeous. Ties in with the edelweiss pin.

Then Thomas Mann – I have spares ope this pin; that’s how important it is to me. I loved Buddenbrooks … but then I read Death in Venice and my mind was well and truly blown.

The travel section includes Collioure – of course – plus Vienna, Sorrento and Sicily: all are special to me.

Beethoven is crucial: I love classical music and Ludwig in particular. And his 250th birthday is next year, so it would be poor tom leave him out.

That Concorde? A lovely pin, bought in Folkstone, together with a Spitfire pin. But at present, wearing a Spitfire could send out all the wrong signals, while this suggests European co-operation.

The Royal Opera House? Well, if you read this blog regularly, you’ll know why.

The Haring ‘resist’ pin? Haring at Tate Liverpool was my art revelation this year and resisting the Establishment and racism and bigotry in general is good.

The birds? Well, I saw a kingfisher this year and interacted with a raven (my absolute top bird). I love corvids in general, including those beauties, magpies. Red squirrels – only seen in Germany and Austria – but wonderful nonetheless.

Stephen Sondheim is a god, Star Wars is a big part of my cultural life, along with The Wizard of Oz (and as some of you will know, I’m a ‘friend of Dorothy’), while Captain Haddock represents comics and cartoons, and Shakespeare … well, I ‘dig’ The Bard big time.


This is how to make comments about yourself but leave others imply enjoying the colour!

Thursday, 15 August 2019

Monday in the park with Loki – or meet the raven

Loki and me – that grin is really not an everyday one
It was last year, reading Joe Shute’s A Shadow Above: the fall and rise of the raven, that I first came across Loki and Coda Falconry.

While I haven’t written much about it here, I have a thing about ravens – those huge, deeply intelligent birds, steeped in mythology, but also a source of fear across the globe.

The Norse god, Odin the Allfather, feared that there would be a day when his newsgathering corvids, Huginn (knowledge) and Muninn (memory), would not return.

In March 2016, after a trip to the Tower of London specifically to go raven spotting, I wrote that there was something poetic in the idea of a god that feared losing memory. While scholars have suggested that that originally refers to a fear of not returning from a shamanistic trance, for us, it can seem poignantly like the fear of dementia.

Little over a year later, after my mother had died suddenly, it started to become clear that Dad was suffering from more than ‘forgetfulness’, as his GP blithely insisted. The ravens had flown and the mists were descending rapidly.

As we slipped into the final autumn of his life and the hospital visits became more and more frequent, I would ritualistically greet the crows that hung around the hospital itself and in the open field opposite. The ancient belief in a link between death and the cawing corvids seemed alive, yet their presence was almost reassuring.

With Dizzy, a beautiful (if brainless) barn owl
I have seen ravens in the wild since that Tower visit: in Bavaria, circling the medieval towers of Rothenburg ob der Tauber in the early spring sunshine, and kronking away from a rooftop opposite our hotel.

Last autumn, speeding past Thurrock on a train, I caught a glimpse of a pair. There had been countless crows in the fields as we passed. Then these two birds on their own, so obviously much bigger, yet (as much as I could ascertain in seconds), about as near to tracks as the crows had been.n

Later, a friend with a great deal of expertise in birding told me that, if I had such a strong gut response, then I was probably right. And as Shute’s book makes clear, ravens are making a comeback.

Loki is a rescue raven. When he arrived at Coda, he was clearly traumatised and deeply unhappy.

Yes, yes – that’s discussing a bird in terms of emotions. Not so long ago, to do as much would have been dismissed as the near heresy of anthropomorphism, but the science world is finally learning about non-human species in terms of emotion and intelligence. No longer are people who talk of their cats and dogs the only ones who contemplate such things – and while it brings it’s own challenges, it’s also a welcome end to a particular kind of species-based exceptionalism.

It took time and considerable dedication for falconer Elliot Manarin to gain his trust – and Elliot still bears the physical scars. But Loki is now very much a part of team Coda and you can arrange to meet him.

Star, a saker falcon, on my fist. How beautiful!
So, last December, The Other Half gave me a birthday present of vouchers to do precisely that – and to enjoy a half-day falconry experience beforehand.

We finally managed to get booked in a couple of months ago and on Monday, made our way up London’s Lee Valley to the falconry, which sits within the Lee Valley Park Farms. It’s a very pleasant walk from Cheshunt station to the site, across part of the Lee Valley Country Park (with lots of birds).

The OH was there to film and shoot. We were with a small group and were led by head falconer Emily Corless and falconer Paul Ryder, spending time first with Teo, a young (and very noisy) aplomado falcon, then Dizzy, an exquisitely beautiful barn owl who is Emily’s favourite (though obviously she doesn't really have any favourites).

In both cases, the group took turns to have the birds fly to their gloved fist to collect raw meat (this is not an experience for the squeamish).

Then Paul and Emily took us into nearby fields and woodland with Griff, a 14-year-old harris hawk.

Unusually, these hawks hunt in groups – and in a situation such as our walk, regard the humans with them as being that group. Griff flew straight from his box into a tree and then followed us as we walked on, with Paul setting food on fists to get him to come down, showing us a variety of his flying skills.

This got a little more complex at one point as the rain came on and Griff refused to come to the fist – until substantial food was available (a mouse).

Back at the falconry, we met Freya, a snowy owl, as she flew to us for food.

Feeding Loki cat biscuits
Then it was the turn of Star, a saker falcon. First, Emily used a lure (food on a rope, in essence) spinning it around to exercise the bird and give us the chance to admire her flying abilities. Then, giving a call of “ho!” she let the lure go. Star caught it in mid air and took it to the ground to eat.

In turn, in a “trade off” as it’s known in the falconry world, Star was then encouraged to fly to each of us in turn with more food.

A display for people visiting the farm park followed with Eclipse, a rare black barn owl, Rico, a three-year-old harris hawk, Storm, a peregrine/gyr/barbary falcon, and Otis, a tiny sunda scops owl.

Then we were given certificates and everyone left, bar the OH and me.

Now was the moment.

Outside, Paul opened Loki’s enclosure and he flew out to his little toy piano, where he hit the keys with his beak until receiving cat biscuits as a reward. He prefers the cat biscuits to the bits of chicken that I held in a gloved hand so that he’d fly up to me.

I’d been near to Merlina at the Tower, but having a raven on your fist – and then hopping around on your shoulders – is entirely another matter. They are seriously big birds – and magnificent too; iridescent blues and greens and purples visible in their feathers as a they move.

There were further toys – including one he had only seen once or twice before: but with bewildering speed, he knew how to open boxes, use leavers and remove pieces in order to get at biscuits.

The intelligence is clear. Having read about the toys, I had half wondered if it was a tad exploitive – as with a circus animal. But once you understand a corvid’s need for stimulation, it becomes clear that this is not remotely exploitation.

He is mischievous too. In the picnic area next door, Emily had parked herself in case he spotted food. It had rained, so surely there was little risk? But then a family arrived and one child pulled a cheese and ham sandwich out. Loki was there in seconds – no aggressive behaviour – with Emily having to dive in to usher him back.

Back in his enclosure, with me feeding him cat biscuits, he showed us how he stashes his food. He’ll store it as much as possible in his beak and then, when he thinks nobody is watching, bury it beneath the small stones on the floor. He does this outside too, but that can end up in infuriation when other corvids (magpies, crows) see – and dig up the food when he’s safely back in his pen.

We left for the walk back to Cheshunt and the train home. All the birds were magnificent, but as Paul and Emily noted, for birds of prey, the only thing that matters is food (and breeding, presumably): they don’t really have intelligence or emotions. Indeed, contrary to popular perception, owls are “stupid,” Emily told our small group early on.

As Paul noted during the public display later, when you can fly silently and have the hearing and sight they do, you don’t really need much in the brain department.

Loki is a bird of a different feather. And I will absolutely be visiting again. I am in love and in awe – and for me at least, this corvid affair has nothing to do with death, but very much the opposite.


• Find out more at codafalconry.co.ukwww.facebook.com/codafalconry/, at Loki's own Facebook page – www.facebook.com/lokitraven/ – and twitter.com/CodaFalconry and as @CodaFalconry on Instagram too.

• Joe Shute's superb book about ravens is readily available. I highly recommend it – and you can follow him on twitter.com/JoeShute. Read an article he penned for the Telegraph about Loki here.


Sunday, 7 October 2018

Ravens to rave about

It was early 2016, on a chilly Saturday morning, that I set off for the Tower of London, with the explicit aim of being one of the first visitors through the gates and of heading straight to find the ravens before crowds clustered around them.

I  can’t put a finger on precisely when I’d started to become fascinated by these particular birds, but by the time of my Tower trip, I was part of the way through having a tattoo of Odin’s ravens, Hugin and Munin, done. The Other Half was away for work and I wanted to see the reality behind the myriad wonderful tales.

Two years later and pre-ordering a memoir by Ravenmaster Chris Skaife was a no-brainer. On Friday, I got my hands on it – I read the final page this afternoon.

The Ravenmaster: My life with the ravens of the Tower of London is as light a read as you could hope for: the Yeomen Warders of the Tower act as guides to all many visitors that pour through the gates every year, and this reads as though you were on a particularly special tour.

Skaife writes with a lovely, light tone, full of humour – not least the self-deprecating variety – and a very great sense of love and respect for his charges.

There is an autobiographical element to the book: all Yeoman Warders have to have given over 20 years of unblemished service in the military before they’re eligible to apply to become a Beefeater, but the Ravenmaster makes light work of this, sketching in his own background, as the real stars here are the ravens.

The one and only Merlina
And of course, the biggest star of all, as anyone who follows the Ravenmaster on social media knows, is Merlina.

But while it’s a light book, that doesn’t mean it isn’t also chock full of fascinating observations and facts about these extraordinary members of the corvid family.

A late chapter, describing the responses of two ravens to losing their partners/mates is utterly incredible and very moving.

Skaife is a delightful storyteller, but the success of this book really rests on his attitude toward the birds in his care. His determination to give them the best life possible – to constantly improve their care – is wonderful. And that attitude extends to the foxes who have, over the years, proved a threat to the birds.

Instead of seeing them as pests to be exterminated, he has used his background to work out how to keep them away from his charges – by providing food for them, away from the ravens’ enclosure, believing that they have as much right to be there as the warders, visitors and ravens.

He makes it quite clear in the opening pages that he is no ornithologist: that too is part of the book’s charm. His knowledge of the ravens is not book-learned (though he has read widely on the subject since taking the job and there’s a great suggested reading list at the end), but is predominantly based on the keen observational training of a former infantryman

There is, however, biology here as well as mythology and history, and every bit of it is fascinating.

Back in March 2016, I got really close to Merlina and managed to get several great photographs of her. I saw her hopping on a bench because there were crisps in evidence – and terrifying a young woman in the process.
'She had crisps'

Right next to me as I sat on a bench, she rooted in a bin and, finding a piece of banana, took it to a nearby puddle on Tower Green to wash it.

This sort of behaviour by the bird that is closest to Skaife is chronicled in the book – along with much more.

It gave me a special glow to realise, reading the pages, that I had probably got those shots because, without really thinking about it, I’d behaved in the right way: quietly, not moving too fast and not being remotely scared.

Since then, I’ve seen ravens in the wild in Germany. On one occasion, gliding around a medieval tower on the first warm day of spring. In April this year, a vast one few past The Other Half and I at the top of Tegelberg in the Bavarian Alps, as we sat chilling with two Alpine choughs – other members of the corvid family.

This delightful book makes me realise that it’s time for another trip to the Tower. Perhaps I should take a tube of Pringles and see how long it takes Merlina to spot them?


The Ravenmaster: My life with the ravens of the Tower of London, by Christopher Skaife, is available now from 4th Estate.

Tuesday, 22 March 2016

Let's sit down to good film

Ian McKellen in wonderful form
In between recent trips to the cinema, I’ve also managed to see a few films at home, both on television channels or discs, and it seemed too good an opportunity not to do a brief round up.

First up comes Mr Holmes, last year’s take on Sherlock – this time, with Ian McKellen as an aging and long-retired version of the iconic consulting detective.

It’s the late 1940s – a world changed utterly by the atomic bomb – and, worried that he’s losing his mind, Holmes is trying to piece together the final case that led to his retirement.

At the same time, he becomes the idol of the young, precocious son of the housekeeper who looks after him in his retirement home on England’s south coast.

Beautifully filmed and wonderfully acted – McKellen is simply a joy to watch – this gentle UK-made piece is full of hidden depths and philosophical ruminations.

Well worth a watch.

Messers Karloff, Lorre and Price
Rather different – but no less entertaining (albeit for very different reasons) is Roger Corman’s The Raven, which I caught up with a couple of weeks ago.

It’s less a case of being based on Edgar Allan Poe’s poem of the same name than having been inspired by it, in the loosest sense.

In this 1963 outing, we have three sorcerers vying against each other for magical supremacy, with Vincent Price, Peter Lorre and Boris Karloff as the trio, engaged at various points throughout in finger-pointy duels.

It’s deliciously camp, which is possibly not the first thing that one might expect from writer Richard Matheson, who penned the zombie horror classic, I Am Legend, while a young Jack Nicholson spend most of his on-screen time looking pretty much lost in such company.

Enormous fun – Price in particular had such a wonderful voice for this sort of film – and the blu ray comes with extras that includes a German documentary about Lorre.

It’s surprisingly serious in tone given the nature of the main feature, but very definitely worth watching, providing a reminder of just what a fine actor he was, and covering his relationship with Brecht as well as offering a detailed look at his breakthrough film role as the murderer in Fritz Lang’s classic of German Expressionist cinema, M (1931).

One reviewer on Amazon decided to be snotty about Lorre  ‘wasting his talent’ because of drink. It’s the point at which you decide to respond by suggesting they inform themselves better about the German exiles in the US and the problems that many of them suffered.

Doris Day and Rock Hudson suffering misunderstandings
On a completely different note, last weekend saw me slumped in front of the gogglebox, on cat cuddling duty, when up popped Send Me No Flowers, a 1964 rom-com that I haven’t seen in decades.

Starring Doris Day and Rock Hudson – with Tony Randall in the sort of friend-of-the-leading-man character that he made his own – it’s a typical farce spun out after Hudson’s hypochondriac suburbanite overhears his doctor discussing a terminal case and soon-to-be-deceased individual is himself.

Directed by Norman Jewison, this was the final of a trio of Day-Hudson-Randall outings and while it’s pleasing enough fodder, it doesn’t have anything like the zip of Pillow Talk and Lover Come Back.

Still, it was nice enough to see again one of the sort of films I feel as though I grew up with – and Day is always wonderful.

Last in this little round-up comes Paul, a 2011 sci-fi comedy road movie that I’d managed to see bits of before, but never the whole thing.

Nick Frost and Simon Pegg with Paul
Starring Simon Pegg and Nick Frost, it’s about two British geeks who go on their dream holiday to San Diego for Comic-Con, followed by a road trip across the US to visit various sites of importance in UFO lore.

However, their plans go awry when they find themselves on the run with Paul, a fugitive alien who is running away from plans to dissect him.

Really good fun, with a very enjoyable supporting cast that includes Blythe Danner, Seth Rogan (as the voice of Paul) and Sigourney Weaver, who subsequently described it to Graham Norton as a “love letter to sci-fi fans” (I think she said the same of the equally enjoyable Galaxy Quest).

Very good fun, pacey, with good characters – including an alien that is far from a film stereotype – plus loads of nods to other films and pop culture, what’s not to enjoy? It was the perfect way to follow a stack of the equally geek-oriented The Big Bang Theory.